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La stanza accanto

Titolo originale: The Room Next Door
  • 2024
  • 6+
  • 1h 47min
VALUTAZIONE IMDb
7,0/10
5038
LA TUA VALUTAZIONE
POPOLARITÀ
169
6
Julianne Moore and Tilda Swinton in La stanza accanto (2024)
Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. After years of being out of touch, they meet again in an extreme but strangely sweet situation.
Riproduci trailer1: 38
8 video
99+ foto
Drama

Ingrid e Martha erano amiche strette in gioventù, quando lavoravano insieme alla stessa rivista. Dopo anni senza contatto, si ritrovano in una situazione estrema, ma stranamente dolce.Ingrid e Martha erano amiche strette in gioventù, quando lavoravano insieme alla stessa rivista. Dopo anni senza contatto, si ritrovano in una situazione estrema, ma stranamente dolce.Ingrid e Martha erano amiche strette in gioventù, quando lavoravano insieme alla stessa rivista. Dopo anni senza contatto, si ritrovano in una situazione estrema, ma stranamente dolce.

  • Regia
    • Pedro Almodóvar
  • Sceneggiatura
    • Pedro Almodóvar
    • Sigrid Nunez
  • Star
    • Julianne Moore
    • Tilda Swinton
    • John Turturro
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    5038
    LA TUA VALUTAZIONE
    POPOLARITÀ
    169
    6
    • Regia
      • Pedro Almodóvar
    • Sceneggiatura
      • Pedro Almodóvar
      • Sigrid Nunez
    • Star
      • Julianne Moore
      • Tilda Swinton
      • John Turturro
    Disponibile a breve
    In uscita il 5 dicembre 2024
    • 36Recensioni degli utenti
    • 101Recensioni della critica
    • 69Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 11 candidature

    Video8

    International Trailer
    Trailer 1:38
    International Trailer
    Official Teaser
    Trailer 1:09
    Official Teaser
    Official Teaser
    Trailer 1:09
    Official Teaser
    THE ROOM NEXT DOOR | Teaser Trailer (2024)
    Trailer 1:09
    THE ROOM NEXT DOOR | Teaser Trailer (2024)
    The Room Next Door: Good Idea
    Clip 0:35
    The Room Next Door: Good Idea
    The Room Next Door: Occasion Calls For It
    Clip 0:37
    The Room Next Door: Occasion Calls For It
    The Room Next Door: Hard On Yourself
    Clip 0:30
    The Room Next Door: Hard On Yourself

    Foto116

    Visualizza poster
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    Visualizza poster
    + 110
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    Interpreti principali27

    Modifica
    Julianne Moore
    Julianne Moore
    • Ingrid
    Tilda Swinton
    Tilda Swinton
    • Martha…
    John Turturro
    John Turturro
    • Damian
    Alessandro Nivola
    Alessandro Nivola
    • Policeman
    Juan Diego Botto
    Juan Diego Botto
    • Photographer
    Raúl Arévalo
    Raúl Arévalo
    • Spanish Priest (Bernardo)
    Victoria Luengo
    Victoria Luengo
    • Fred's Wife
    Alex Høgh Andersen
    Alex Høgh Andersen
    • Fred
    Esther McGregor
    Esther McGregor
    • Young Martha
    Alvise Rigo
    • Jonah (The Trainer)
    Melina Matthews
    Melina Matthews
    • Lawyer
    Sarah Demeestere
    Sarah Demeestere
    • Stella
    Anh Duong
    Anh Duong
    • Anh
    Bobbi Salvör Menuez
    Bobbi Salvör Menuez
    Annika Wahlsten
      Shane Woodward
      Shane Woodward
      • Fire Chief
      Paolo Luka Noé
      • Spanish Priest 2
      • (as Paolo Luka Noé)
      Cristina Kovani
      Cristina Kovani
      • Gym Receptionist
      • Regia
        • Pedro Almodóvar
      • Sceneggiatura
        • Pedro Almodóvar
        • Sigrid Nunez
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

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      Trama

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      Lo sapevi?

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      • Quiz
        When Pedro Almodóvar sent Tilda Swinton the script, he asked her who should play Ingrid. Both of them had Julianne Moore in mind.
      • Connessioni
        Featured in The 7PM Project: Episodio datato 8 settembre 2024 (2024)

      Recensioni degli utenti36

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      Recensione in evidenza
      7/10

      A misfire, alas.

      I was curious to see what Pedro Almodóvar would do differently in his first non-Spanish-language film, built around two of the most talented actors working today. The answer, alas: it's disappointing. There are many ways in which "The Room Next Door" lacks what makes Almodóvar's work so distinctive - the spontaneity, the sense of improvisation, the comic timing, the fizzy ensemble work -- but this film's main fault, as I see it, is that it's just plain overwritten, something that is rare in his previous work.

      The screenplay (which he is credited with writing) was adapted from a novel by Sigrid Nunez that I have not read, but it sounds like vast swatches of the dialogue were lifted verbatim from it, with much that is ponderous and stilted, slowing down and emptying the film, where Almodóvar's work is usually characterized by lapidary dialogues and madcap forward movement, plunging you into the characters' world with little exposition - as a viewer, you are kind of just there, hanging on for dear life, and figuring out relationships and social context as you go, grabbing at what you can. Even in films that deal with dark subjects ("Pain and Glory" or "Bad Education" come to mind), the action and its background unfold in convincing ways (even when these are actually crazy if you stop and think about them) that draw on our intuition and empathy and depend only marginally on extended expository narration.

      Here, it is the opposite: the characters talk and explain on and on, with a few awkward flashbacks to establish context. Little is left to our imaginations. So, while some of the usual Almodóvarian hallmarks are there, particularly in the exquisite use of saturated, cunningly coordinated color and in the tastefulness of many of the sets and costumes (here with lots of lovely still lifes of flowers and fruits), these are reduced to props - they don't serve to tell the story and overwhelm you into accepting the reality of his crazily artificial visual worlds in the way they do in most of his films. And the computer-generated backdrops of New York feel completely artificial and thus become meaningless. Almodóvar's films certainly have plots, often quite convoluted (which is part of the fun), but they don't feel plot-driven, even when they are. "The Room Next Door", on the other hand, is all about its plot, and it is the weaker for it.

      With talents like Tilda Swinton and Julianne Moore (plus the estimable John Turturro) in front of the camera, there have to be, and are, some great, often very moving, moments - how could there not be, especially given the plot's central premise and the way it both reinforces and strains a longstanding , close friendship in its final days? But the wordiness of this screenplay undermines Swinton, in particular. Her awesome strength lies in her powerful, enigmatic presence and in her understatement. In my unscientific assay, she speaks as much dialogue here as she has done in at least the last three or four of her films (the ones I've seen, that is) combined. Think of her stunning performances in another fairly recent film about the fraught relationship between two women, "The Eternal Daughter" (2022), in which she plays, devastatingly, both an aging mother and her middle-aged daughter. The relationship between the two is subtle, shifting, complex, rich and involving - and yet so little of that is based on explicit dialogue. Or take her terrific performance in "Memoria" (2021), the enigmatic masterpiece of cosmic messaging by one of the greatest of all non-verbal directors, Apichatpong Weerasethakul. These are the kinds of films in which Swinton flourishes, going all the way back to "Orlando" (1992). (She did make "The Human Voice", speaking an extended monologue by Jean Cocteau - remarkable, and showing her versatility, but not characteristic of her.) In "The Room Next Door", she is required to deliver page after page of stilted - downright unnatural - prose in ways that are uncomfortable to watch and that are alienating, at least for this viewer. (This is all made worse by the upper-class, educated-American accent Swinton is required to employ. It's impeccably observed, as you would expect from her. But, as is so often the case with actors speaking lines in accents that are not their own, you sense that a lot of the energy that should be going into the interpretation is instead being directed into making sure they get the accent right. That is definitely the case here, especially since so many of her monologues are delivered in exceedingly tight shots.)

      So I speak in sadness, as someone who's been an unconditional admirer of Almodóvar going back to the 1980s. His films have always been based on his own very peculiar, very specific vision of a Spanish culture that may never have existed in reality, but in which he makes us want to believe. Stepping out of that into English and into such a different, and less compelling, American world appears to have been a mistake. Let's hope that Almodóvar, as he pursues his amazing, extended, and rich career, will quickly go back to being himself, not the unnatural, wordy, uncompelling version that we are given here. This one, I fear, was a mistake.
      • Mengedegna
      • 4 ott 2024
      • Permalink

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      Dettagli

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      • Data di uscita
        • 5 dicembre 2024 (Italia)
      • Paesi di origine
        • Spagna
        • Stati Uniti
      • Lingua
        • Inglese
      • Celebre anche come
        • La habitación de al lado
      • Luoghi delle riprese
        • Echo Lake Park, Cranford, New Jersey, Stati Uniti
      • Aziende produttrici
        • El Deseo
        • Movistar Plus+
        • Pathé
      • Vedi altri crediti dell’azienda su IMDbPro

      Botteghino

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      • Lordo in tutto il mondo
        • 5.600.000 USD
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

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      • Tempo di esecuzione
        1 ora 47 minuti
      • Colore
        • Color
      • Mix di suoni
        • Dolby Digital
      • Proporzioni
        • 2.39 : 1

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